Monday, 25 September 2017

Movie Review: It (2017)



As we continue our look into the Stephen King adaptations for the year, we’ve come to a certain story that holds a very special place in my heart for a number of reasons. Growing up with a rather morbid and horror-loving mother, I had a lot of exposure to King’s work growing up. One such examples was the 1990 miniseries based on King’s novel It. Despite its rather glaring issues, much like most other Stephen King-based miniseries, it has a very secure place in my personal nostalgia. That connection would eventually lead to the Nostalgia Critic incident, which I have discussed on here before, where my love for the miniseries lead me to my first-ever instance of fanboy rage. I’ve had many more cases of that since then, but that was what first lit fire under me to rage out about what someone else dares to think about something I love; you’ll notice that I don’t tend to do this that much anymore. And now, after a fair amount of time in production limbo, we have the first of two theatrical films based on that same story. Knowing my own love for Tim Curry’s homicidal kookiness as Pennywise, I was definitely sceptical about how it would measure up. What I was in no way prepared for was just how good this would turn out. This is It.

Sunday, 24 September 2017

Movie Review: American Made (2017)



If you’ve been following my reviews for any length of time, you’ll know that I have a rather specific approach to most of the films I cover. I try and give some breathing room for the acting and production values of each film, but more times than not, I end up talking about the general vibe of a film more than anything else; the supposed “message” behind all of it and end up judging films with that largely in mind. Well, as much as I tend to focus on the main sentiment of a given production, there are certain ideas and notions that I find myself repelled by; things like the general attitude of most ‘chick flicks’ or rather distasteful ideas concerning issues of mental health tend to set me off and make me a bit myopic in my overall critique, as if a film’s overall theme overrides anything and everything else it may have to offer. I bring this up not to start an effort to avoid such things in the future, but to once again bring whatever biases I have going into films to the forefront. And unfortunately, we have another instance of that today with a film that involves a form of commentary that I will likely never be able to take seriously. But I’m getting ahead of myself; let’s get started with today’s film already. This is American Made.

Saturday, 23 September 2017

Movie Review: Everything, Everything (2017)



I’ve covered a lot of movies during this blog’s relatively short existence. In that time, I think I’ve run the gamut in terms of initial reactions. From the sensible (New Michael Bay Transformers movie is probably going to suck) to the somewhat irrational (The Angry Birds Movie has a vendetta against me personally), I’ve shown a pretty broad spectrum. Well, for the second time this year, we’re dealing with a film that I am having difficulty believing even exists in the first place.

Friday, 22 September 2017

Movie Review: Logan Lucky (2017)



Retirement in the world of creative arts has always been a funny thing. As much as it is like any other profession in how some people can get sick of it after a while, the idea of actual retirement in this industry rarely if ever holds water. Here in Australia, one of the biggest running jokes I heard growing up was how singer John Farnham did a retirement concert tour pretty much every year. In terms of films, for as little stock as I hold in the idea of being involved in films flat-out calling it quits, it was still pretty heartbreaking to learn that Steven Soderbergh, one of my all-time favourite filmmakers, was hanging up his hat. Then it was announced that he was doing some TV work with The Knack; still no films, still let down. Then Magic Mike XXL came out, and while he wasn’t directing, he still had a real hand in making it. And then today’s film was announced, and it definitely clicked that a guy who is that passionate about the art form wasn’t likely to just leave the game entirely. But as a dramatic return to the director’s chair, how does this film actually turn out? Is it worth the wait or is it one of those occasions where it would’ve been better if Soderbergh actually did retire? Only one way to find out: This is Logan Lucky.

Monday, 18 September 2017

Movie Review: The Hitman's Bodyguard (2017)



The plot: Disgraced bodyguard Michael (Ryan Reynolds) has been tasked with protecting hitman Darius Kincaid (Samuel L. Jackson), a key witness in the criminal trial against dictator Vladislav Dukhovich (Gary Oldman). As they try and manoeuvre their way to the courthouse, they have to deal with Dukhovich’s hired goons, the local police and even each other to make it there in one piece.

Saturday, 16 September 2017

Movie Review: The Dark Tower (2017)



We’re going to be getting quite a few adaptations from the written horror legend Stephen King this year. I’m going to cover them as I do any other film, except I’m doing to do something a little different with these. Along with going over the individual merits of the films themselves as per usual, I’m also going to take this time to go over King’s own strengths as a writer, how they present themselves in his works, and ultimately how well these films stand up as a continuation of his ethos. And oh boy, do we have a doozy to start out with. After being in development hell for many years, only truly getting off the ground thanks to everyone’s favourite hack Akiva Goldsman, to say this film hasn’t been well-received would undermine the sheer apathy that this has generated so far. Anyone who has read through my reviews for quote-unquote “boring” films in the past should know that failure to engage often ends up being a bigger sin than just being aggravating or thematic heinous. But is that truly what we get here? Let’s take our first dip in the King pool and find out: This is The Dark Tower.

Monday, 11 September 2017

Movie Review: Valerian And The City Of A Thousand Planets (2017)



Outside of Luc Besson being an idiosyncratic director (shorthand for “he has his own style that I am unable to put into words”), I don’t have anything new to say about the guy that I haven’t already said in reviews past. As such, I’ll forgo my usual introduction and just get right into this thing because I am legit excited to be talking about this movie. This is Valerian And The City Of A Thousand Planets.